nauseate What symmetry! At first it was very noticeable, but over time and 'become more' and more 'annoying. All frames the portraits appear silent, without moving. The fredezza estate and 'all sick. The two events are developing in parallel, are absolutely symmetrical. It 'hard to find a single frame without this symmetry. Even the dialogues are subject to symmetry. After seeing this film takes a little 'mess to forget this horrible correctness.
The director and 'a great mathematician. Feel the rhythm and very precise geometric proportions. With incredible persistence sticks his head in the audience his views on the hardness of mind, cruelty 'and filth of human nature.
"He killed my father, who ate human flesh, I'm laughing joy, "repeated like a prayer before the main character to have executed.
If we compare this film "Salo, or the 120 Days of Sodom," one can definitely say that prudence and 'the same. Pasolini fighting tenaciously to the same point. The interesting thing 'that in all the two films do not feel no compassion for the victims - so' are quiet and obedient.
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